A WebGPU studio for fractal flames you shape live, animate, breed and drive with sound.
Lumen Apeiron turns Scott Draves' fractal flame algorithm into an editor: transforms, variations, palettes and cameras change while the GPU keeps iterating, and the result can be animated, bred, set to music or handed to an AI agent. The history starts with David Emanuel Luksic's first commit at chaos-matters/chaos-master and runs to today's main in maff's working repository.
Numbers about the product itself, each printed with the source that checks it.
The whole report as one image, sized for link previews on Open Graph, X, LinkedIn and Slack. The copy and download buttons export exactly this frame at 2400 × 1260. The record's grooves are the top-level folders, banded by file count.
Records and oddities pulled from the history by rule, not by hand. A ticket prints only when a statistic crosses its threshold, so a release sprint can earn one and a quiet month cannot.
Every stub is admit-one: the figures below show where each number comes from.
cloc counts every tracked text file. The strings carry nearly everything: the SolidJS editor, the shared core package and the shaders, which are written as TypeScript and compiled to WGSL by TypeGPU, so they count as TypeScript here. The woodwinds hold the CSS and markup of the editor and the landing site, and the brass is a thin Capacitor shell for iOS and Android. One XML file is flam3's palette library, copied byte for byte from Scott Draves' repository and credited to him.
A seating chart where every chair is a fixed number of lines of code. Sections sit left to right; each language takes the chairs it has earned.
One channel strip per language. Faders sit on a logarithmic scale, the way audio engineers read loudness, so the smallest language and the largest share the same desk.
General code split by path: tests/, e2e/, *.test.*, *.spec.* and Playwright test folders are rehearsal; the rest is the performance.
Native sources of the iOS and Android shells, with each shell's build files and resources listed alongside.
Every commit reachable from main, read from a fresh clone and credited by author. David Emanuel Luksic's commits from the project's first year stay in the history under his name. Since spring 2026 most work lands here first, in runs of pull requests merged on the same day, and release branches carry it upstream. The few commits stamped in UTC are moved into Central European time before the piano roll counts them.
Each bar is a day of commits, mirrored like an audio file.
The 24 hours of the day map onto exactly two octaves of keys, from C3 at midnight up to B4 at 23:00. Each note is one hour of one day, and its brightness is how many commits landed in it, like velocity in a DAW.
A drum-machine grid: seven tracks (days) and 24 steps (hours). The brighter the pad, the more commits fell on that beat.
Tempo written the way a score writes it: one beat per commit, per active day.
Six strings for the six most-touched top-level folders, one fret per week. A finger dot shows how many commits touched that folder that week; the busier a folder overall, the heavier its string.
The codebase rebuilt from the diff of every commit on the main branch: git numstat along the first-parent chain, with blanks and comments included and excluded files left out.
Authors merged by e-mail, name and GitHub login, then credited the way an album sleeve would.
Every pull request opened on chaos-master-fp, from the first feature branches in April 2026 to today. Some of the early ones reached upstream folded into squashed release pull requests, so main carries their changes without their original commits. Counts come from GitHub search; per-PR timestamps come from the REST API, pinned to the same snapshot.
Every PR is a note, written in the order PRs were opened. One bar is one week and 7/4 means one beat per day. The faster a PR merged, the higher and shorter its note. Press play to hear it.
How each pull request's phrase ended: resolved (merged), left unresolved (closed) or still suspended (open).
Merged PRs grouped by how long they waited, written as note values from sixteenth (≤ 15 minutes) to whole note (more than a week).
LED columns show PRs merged each week; the floating peak-hold bar marks PRs opened that week.
Stars, forks and watchers for chaos-master-fp itself. The upstream home, chaos-matters/chaos-master, has stars of its own; they are drawn as a separate line and never added in. Star dates come from GitHub's stargazer timestamps.
Cumulative stars, day by day, from the repository's creation to the snapshot.
The tracked tree at HEAD: the editor in packages/app, the core and mobile-runtime packages it shares, the Astro landing site, the Capacitor shell, and the docs and agent notes that steer the work. Binary files are split from text, and the heaviest files are listed by size.
A sunburst pressed into a record. The inner groove holds top-level folders, the outer grooves hold the sub-folders, and arc length is file count. Hover to stop the platter.
The most common file extensions, ranked by number of files. Badges flag binary files and files stored through Git LFS.
A squarified treemap laid out as performance pads. Each pad's area is its lines of code, its glow is the family that dominates it, and the LED strip along its foot shows the full mix. Switch to “Everything” to let the data in.
Files counted by how many folders down they sit, drawn as a scale of notes.
The largest files in git and the folders that hold the most files directly.